Samudravasane Devi — Prayer to Bhūmi Devi

Traditional verse recited on waking; textual origin uncertain

समुद्रवसने देवि पर्वतस्तनमण्डले । विष्णुपत्नि नमस्तुभ्यं पादस्पर्शं क्षमस्वमे ॥

samudravasane devi parvatastanamaṇḍale viṣṇupatni namastubhyaṃ pādasparśaṃ kṣamasva me

Meena Tapaswi, "Shloka and Bhaktigeet — Devi" (2010), via the Internet Archive, CC BY-NC 2.5 IN

Translation

O Goddess, clothed by the ocean, whose breasts are the mountains, wife of Viṣṇu, salutations to you — forgive me for the touch of my feet.

Literal translation

How it helps

The first thing most of us do each day is put our weight on the Earth without a thought. This verse turns that moment into an act of attention. Before standing, you address the ground as a living presence — a goddess robed in oceans, with mountains for her breast, the consort of Viṣṇu who sustains the world — and you ask her pardon for stepping on her.

Asking forgiveness for something unavoidable is the point. You cannot live without standing on the Earth, eating from her, and taking from her; the prayer doesn’t pretend otherwise. It simply refuses to let that dependence go unnoticed. Starting the day with a small, sincere apology and thanks sets a tone of humility and gratitude that tends to carry: the floor, the food, the air become things received rather than taken for granted.

There is a quiet wordplay in the last line. Kṣamasva, “forgive,” comes from the same root as kṣamā, one of the Earth’s own names — “the patient one,” she who bears everything. You are asking the one whose nature is forbearance to bear with you once more.

How to practice

  • Recite it on waking, sitting on the edge of the bed, before your feet touch the floor. It is often said right after karāgre vasate lakṣmīḥ, the verse for looking at your palms on waking.
  • As you finish, touch the ground with your right hand and then touch your fingers to your eyes or forehead — a common way of offering the salutation.
  • Bharatanatyam dancers recite it in the bhūmi praṇām that opens practice or performance, before striking the ground with their feet.
  • It also fits other first steps: onto new land, into a garden, or at the start of a walk or a hike.
Notes

Every epithet is a vocative, all addressed to the Earth: samudra-vasanā (“she whose garment is the ocean”) and parvata-stana-maṇḍalā (“she whose round breasts are the mountains”) are bahuvrīhi compounds, descriptions that become names. Kṣamasva is the second-person imperative (ātmanepada) of √kṣam, “to forgive, to endure”; me is the enclitic “my”, so the last line is literally “forgive my foot-touch.”

Common variants read parvatastanamaṇḍite (“adorned with mountain-breasts”) for -maṇḍale, and the last word is often printed run together as kṣamasvame. Some recite parvata-sthāna (“whose seat is the mountains”), though stana is the usual reading.

Online sources attribute the verse variously to the Atharva Veda, the Purāṇas, or the dance manual Abhinaya Darpaṇa, but none cites a specific passage; treat its origin as unknown.

Word meanings
समुद्रवसने samudravasane
O you whose garment is the ocean (vocative)
देवि devi
O goddess
पर्वतस्तनमण्डले parvatastanamaṇḍale
O you whose round breasts are the mountains (vocative)
विष्णुपत्नि viṣṇupatni
O wife of Viṣṇu
नमः namaḥ
salutation, bowing
तुभ्यम् tubhyam
to you
पादस्पर्शम् pādasparśam
the touch of the foot
क्षमस्व kṣamasva
forgive, bear with (imperative of √kṣam)
मे me
my, of me